Friday, 19. December 2025 5:00 pm Artificial Intelligence and Music: On the Role of AI in Studying a Human Art Form
Prof. Dr. Gerhard Widmer , Institut für Computational Perception, Universität Linz
The field of AI & Music has come a long way, from early attempts at algorithmic composition to a wide variety of intelligent sound and music technologies that are shaping today's digital music world. As in many other application domains, many of the recent successes are based on exploiting and adapting the latest advances in statistical machine learning, transferring them from fields like computer vision and language processing.
But music is much more than just an acoustic signal with hidden patterns, or a sequence of events with statistical properties. Music is a deeply human art, a unique means of human self-expression and emotional communication, and we still lack a full understanding of how music "works", as a communication language between composers, performers, and listeners.
I will try to demonstrate that AI and machine learning may have something to contribute here, by providing means of studying some of these questions via computational modeling. We will focus on the complex phenomenon of expressivity in music performance (of classical music): how skilled performers make music "come alive" and communicate subtle aspects like moods, ideas, emotions through their playing. I will take the audience through a recent big research project that aimed at studying certain aspects of this with machine learning. We will see what it takes to model and explore such an elusive concept in a data-driven way, talk about the difficulty of obtaining reliable data, but also about the difficulty of evaluating the results, and how we may nevertheless obtain some interesting and possibly useful results. We will see (and hear) computer models of expressive playing and human-machine piano co-performance, and we will even learn about an expressive performance system that allegedly passed a musical "Turing Test". However, we will also find (or I will contend) that the very idea of a "Turing Test" in this context (and perhaps generally in the arts) may be fundamentally problematic. At a more general level, I will argue that we should carefully consider the proper role of AI in music, if we take music seriously as an expressive (human) art form.
